Rehmat

MR24053

Category
Shawl
Year
2024
The Story
Muga Ghicha & Eri silk shawl (loi) by dyers and weavers of Assam and Nagaland

Rehmat is an heirloom loi. Loi is a large shawl. The one that embraces. This is also a gender-neutral shawl. The one that includes all. She is made intentionally, gently, with hands and care. She is natural, earthy, grounded, radiating with seasoned maturity. She makes decisions on behalf of many and her decisions are like a blessing, benefiting all. Her Rehmat is felt by all because she ponders for the well-being of others. She is quiet, nurturing and substantial. She is not easily misunderstood. She rarely leaves room for error. Not because she is perfect. But because she has perfected her Rehmat. 

Rehmat carries two aspects.

Side 1: The panelled part of the shawl is woven with hand-spun cow dung dyed eri silk dyed Eri silk yarn carried from Kamrup district, Assam, to the remote regions of Nagaland. Rehmat's central panels of back strap loom are hand stitched using traditional joineries, a typical feature of back strap loom textiles used to extend to the desired width. This is a three-panel joinery shawl, following the traces of a traditional loi width. 

Side 2: This side is crafted with Muga Ghicha. Muga Ghicha is first handspun and then woven on a throw shuttle loom. Not everyone can handle ghicha yarn, especially that of Muga. One needs to be seasoned in the craft. Weaving with the naturally spaced slub of Ghicha makes it a remarkable feat of craft, especially when it is handspun. Muga Ghicha’s gold hue and textured surface is merged with gentleness of cow dung dyed eri that is woven on a throw shuttle loom.

Rehmat is joined as a steadfast stitch of panels. Each panel highlights the intricate stitching involved in binding textiles of various textures and densities together. She is a one-of-a-kind textile designed to highlight a unique coming together of various techniques and creativity of handcraft. This design will not be recreated.
The Makers
Param did the beadwork 
Gurmail, the tailor
Narmohan Dada, master Eri silk pioneer
Mumma, Madhu, stitching supervision
midtoan.com, the photographer
Designed by Ritika
Disclaimer:
Imperfections in the weaves reflect handmade
Irregularity in the dyes reflect natural process
Innocent spots in the textiles reflect being homemade
A work of nature cannot be sterile and error-free
A choice to still buy what we make is a step
Towards supporting original culture
Of people
Of nature
Of craft

A celebration of humanness.
Mora Collective 2025
designed by: MIDTOAN
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